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How do you even begin to quantify the impact that Audrey Hepburn had on trend?

The dancer-turned-Hollywood superstar and humanitarian didn’t just affect trend on film — she set traits along with her approachable, traditional types that resonate practically 30 years after her dying.

Her 1954 film "Sabrina" made slender black pants and ballet flats the height of elegance, and by 1957’s "Funny Face," Hepburn’s black Salvatore Ferragamo loafers and turtleneck sweaters became not just a favourite of her Greenwich Village-dwelling character but in addition of many chic ladies on the city’s ferragamo factory streets.

Hepburn’s longtime shut relationship with Hubert de Givenchy that began with "Sabrina" was a style legend.

When a young Hepburn touched down in Paris and headed for the younger designer’s studio to create the spectacularly chic costumes for the film, a 40-yr collaboration — and friendship — was born. From the ball gown to her tailored go well with, the film’s Givenchy costumes couldn’t have been a better match for the Cinderella story.

Later, Givenchy ferragamo factory helped dress Hepburn in "Breakfast at Tiffany’s," "Funny Face" and "How to Steal a million."

Givenchy also created the wedding costume Hepburn wore to marry her first husband, Mel Ferrer. The actress returned to the atelier throughout her life for lots of her wardrobe needs.

In her private life, Hepburn’s taste was as traditional and clear as you may think about. Simple silhouettes — pants and sweaters with loafers or ballet flats, summery dresses in straightforward shapes — Hepburn made unfussy and comfortable fashionably chic. She was often spotted in Salvatore Ferragamo shoes and had her own ballet flat created for her by the corporate.